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Showing posts from March, 2012

Slow Week for Movies...

So the only two flicks coming out this weekend are Mirror, Mirror and Wrath of the Titans, neither of which I have any real desire to see.  For once I’ll agree with a local film critic, Sean Collier, and say that Wrath of the Titans is the sequel that nobody asked for.  Based on the trailer I kind of wanted to see it for a hot minute, then I remembered how much I hated the remake of Clash of the Titans, and came to my senses. As far as Mirror, Mirror goes, it looks just too tongue-in-cheek to me.  I like my fairy tales darker and less Disney (except for the awesome TV series Once Upon a Time, which is both Disney and dark, and if you haven’t seen it, you’re missing out). So I’ll wait for Snow White and the Huntsman for that. For anyone who was hoping I’d review one of these pictures, sorry—movie going is a rather expensive hobby these days and right now this site isn’t supporting itself.  If I ever get enough followers I may introduce a “send me to the movies” option, where peopl

John Carter Review: A Follow-Up

http:// thejohncarterfiles.com /2012/03/john-carter-an-open-letter-to- walt - disney -studios-chairman- richard -ross/ The following is an open letter to Rich Ross, Chairman of Walt Disney Studios, regarding John Carter. It is a sincere request for Disney senior management to address in a public and meaningful way the many questions that remain unanswered concerning Disney’s handling of the the marketing and release of John Carter. Readers are invited to use the comment function to ask their own questions and leave comments. ... The excerpt above is the beginning of the linked article, and is well worth a read for any among us who are flabbergasted at the apparent abject failure of John Carter in the theater, given just how well-done the film was.  There's no reason nor excuse for this to have not been one of the biggest film events of the year (Hunger Games and Avengers notwithstanding), and it's pretty much a foregone conclusion (all but universally accepted) at this point

Review: The Hunger Games (Gary Ross and Lionsgate)

FIRST THINGS FIRST: THERE WILL BE SPOILERS IN THIS REVIEW – It’s necessary to discuss the text-to-screen adaptation. So if you’re avoiding spoilage, you might give the details of this one a pass after the introduction, then skip to the conclusion and rating for a generalized, spoiler-free summary. Introduction Well, amid much fanfare, The Hunger Games opened this weekend to record-breaking numbers.  I feel a sense of strange personal satisfaction in that it completely left the Twilight series in the dust—it shows that tweens and young adults are indeed reading good fiction as well as bad.  As with thousands upon thousands of others, I was there opening night (actual opening night, not the Thursday midnight showing—at my age work trumps late night movies, much as I wish it weren’t so). Before I dive into the review of the film, let me just say something to all those haughty, snobbish people in fandom who are whining that they “liked it better when it was Battle Royale. ”

Review: Disney's John Carter

Introduction   One of the bigger flops early on in this season has been Walt Disney's John Carter.  In many ways, this is a shame because it seems that the film simply didn't get a fair shake--there were reviews (from professional critics, who should be ashamed of themselves) lambasting the film before it had ever been screened for critics, simply based on set photos, leaked footage, and leaked information. Some of the biggest complaints about the film are that somehow the story is incomprehensible, convoluted, or complex.  I take such strong issue with these statements as to openly calling any critic who claims this pretty much an idiot. I realize that to make such a statement is inflammatory, but nobody can ever accuse me of holding back my feelings or opinions. This is also one of those movies that engenders specifically what I discussed in my inaugural blog: film critics at Rotten Tomatoes are at 51%, while audiences are sitting pretty at 70%.  Just another instance th

Strange Predictors of Movie Failure

Obviously, to keep this blog going I’m going to have to do more than just film reviews, as I don’t see movies every day (or even every week); it’s just too expensive a habit for an Administrative Assistant and aspiring Librarian to upkeep.  So between reviews I’d like to discuss topics directly related to films and the film industry.  I hope that’s all right with everyone. For my first “filler,” as I prepare to write my review of John Carter for you all, I wanted to explore a theory I have—or, rather, something I have noticed over the past few years which seems to hold up and represents the development of an hypothesis. You can tell by the TV spots whether a movie is going to succeed or bomb at the box office.  There’s a patently obvious “tell” that gives it away, which makes me wonder if somehow, these things aren’t predetermined.  I mean, of course you can’t really make up an audience’s mind in advance, but I don’t know. It just seems odd to me. Here’s how it works.  I’

Review: Marcus Nispel's Conan the Barbarian (2011)

I posted this review in a slightly different format on my older blogs, but since Conan came out on Blu Ray and DVD a few months ago, and has been making the rounds on cable and On Demand, it seemed a good way to kick off my blog.  Plus, someone requested it. The promised reviews of John Carter and The Hunger Games will follow soon.   Fair warning: there will be minor spoilers in this review.  Nothing major, but if you're avoiding spoilage altogether, you might give this a pass. Introduction First things first.  This is absolutely not a remake of the Arnold one .  The only thing it has in common is the "revenge for my dad's death" plot.  The events of the story are completely, 100% new (well, new as in, they weren't anywhere to be found in the Arnold flicks).  So that's something. A new Conan film has been in Development Hell since 1984’s Conan the Destroyer . Various incarnations have come and gone, all of which have generated varying degre

Welcome to Overpriced Popcorn: Film Reviews for the Rest of Us

Introduction Here we go, the inaugural blog posting.  Starting a new project is always a bit daunting, and I hope people find some enjoyment in this one.  You'll be wondering what the tagline "Film reviews for the rest of us" is all about, and that's what I mean to address in this first post, before I dive in with the reviews. It's not even a little bit of a stretch to say that most people hate film critics. Perhaps the most commonly uttered phrase about movie reviewers is, "if they say a movie sucks, by all means run out and see it because it's probably great fun." How often have you wished that someone out there would step up to the plate and review movies the way YOU want them?  How often have you wished that a reviewer would come along whose word you can take at face value? I know I have--I've even made posts about it on message boards and social networking sites, wherein I've been publicly called a snob for that opinion by people I c